Linedance Stepsheet from

www.silverstarswesterndancers.com

High Test Love
32 count, 4 wall, line dance,  Choreographed by Max Perry
Music:High Test Love by Scooter Lee [166 bpm / CD: High Test Love & No. 1 Line Dancing Album or Itunes

 

CAJUN SHUFFLES FORWARD WITH HITCHES
1-2       Step forward left.  Slide right up to left
3-4       Step forward left.  Hitch right while scooting on left
5-6       Step forward right. Slide left up to right
7-8       Step forward right.  Hitch left while scooting on right

BACK, SCOOT, BACK, SCOOT
9-10     Step back left.  Hitch right while scooting back on left
11-12    Step back right.  Hitch left while scooting back on right

OUT, OUT, SHIFT WEIGHT, HOOK/SLAP
13         Step to left side with left, (small step)
14         Step to right side with right (small step) (feet should now be apart)
15         Shift weight to left foot
16         Hook right behind left knee and slap with left hand

CAJUN SHUFFLES SIDE TO SIDE WITH HITCHES
17-18    Step side right.  Step left next to right
19-20   Step side right. Hitch left while scooting on right*
21-22   Step side left.  Step right next to left
23-24   Step side left.  Hitch right while scooting on left*
25-26   Step side right.  Step left next to right
27-28   Step side right.  Hitch left while scooting on right*

LEFT PADDLE TURN
29        Step left foot forward as you turn 1/4 left
30        Step side and slightly back with ball of right foot only and continue to turn
31         Step forward left turning toe out and continue to turn left
32        Step side and slightly back with ball of right foot only and continue to turn
You should complete a total of 3/4 turn to the left.
REPEAT


"Cajun" shuffles make reference to the fact that you will not "double-time" the beat and race through the shuffles. this dance has a fun, Cajun pulse (the same one you hear in Louisiana Hot Sauce). On *, your body will turn at a slight angle on the hitches, making it very comfortable to do the paddle turn at the end. You should think of the timing as "1,&,2,&,3,&,4,&" throughout the dance. – Max Perry